Incidental music to the first act of the play Le Roi s'amuse by Victor Hugo a nocturnal party at the Louvre palace in the early 16th century. Concert performance version by the author from 1889.
These most popular dances from the ballet Coppιlia (1870) by Lιo Delibes are arranged for brass quintet in their original version for concert preformance.
Since it is St. John's Night, a large number of people drop in across the bridge and fill the esplanade in a procession, carying a banner on which the effigy of the Corregidor is displayed. General dance, during which the old coxcomb is identified, and the miller and his wife are reconciled. The Corregidor, scoffed at by the crowd, has received so many cuffs that he lets himslef drop to the ground completely confounded. The people lay hold of him and joyously toss him on a blanket, like some rueful puppet. This is the final Jota from the ballet El sombrero de tres picos (1919), from Manuel de Falla.
The Dialogues were published in 1927 as Volume I of the collection Nine Little Pieces for Piano, Sz. 82, BB 90. In strict counterpoint, they recall the J. S. Bachs Inventions, but actually sound quite modern given the melodic, rhythmic, and harmonic variety of Bartoks themes. Although only seven minutes long, this short suite of polyphonic miniatures captivates the listener with the freshness of the conversations among all musicians in the quintet.
...Instead, we shall better listen to the jam, we shall better try to enjoy it if only humanly possible. And, should we ever come across an unmarried locomotive, we shall be very, very careful!
Commissioned by Swiss bass trombone player Johannes Bigler this Concerto was and premiered in 1998 during Varna Summer music festival. It was named by the critics as a brilliant piece... a model of miniature form.
Three Pieces for solo clarinet (composed in 1981) are dedicated to the famous Bulgarian clarinet player Atanas Kolev. This composition was premiered at the festival New Bulgarian Music in 1982 and holds the Annual Chamber Music Award of the Union of Bulgarian Composers for the same year.
Scherzo. Vivace con fuoco Poco meno vivo Vivace come prima
Finale. Allegro giusto Vivacissimo
Milcho Leviev (19372019) composed his String Quartet for his Masters graduation exam in Composition. This early work, strongly influenced by the music of Paul Hindemith, had a single premiere performance in 1960. In 2019, the score was rediscovered by the Philharmonica String Quartet, whose members took up the task of programming it. While attending one of their rehearsals, Leviev made certain minor amendments to the score.
Pantcho VladigueroffPantcho Vladigueroff In Bright Colours works for two pianos by Pancho Vladigerov in his own transcriptions from 1976-77, performed by the piano duo Pantcho Vladiguerov Jr. and Dimo Dimov. CD Audio & Video.
Dimitrina Tabakova is a fine musician and longtime violin teacher in Bulgaria. Her book goes far beyond the mere methods and also collects valuable knowledge and inherited experience.
This book is suitable for any violinist, violist and a cellist teacher or student, professional or amateur. Also for parents whose child just begins playing the violin. The book is useful to all who are professionally interested or merely curious in the secrets of violin mastery.
ISMN 979-0-707683-08-8
In bulgarian, first edition, 144 pages, soft cover.
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EB5Brass Quintet arrangements of Ivaylo Hristov
EF5All Five Dances by de Falla for Brass Quintet
ET8Trombone Ensembles arr. of Ivaylo Hristov
ES1Bulgarian Music for Solo Trombone
EP7Pantcho Vladigueroff Piano Works
ED7Pantcho Vladigueroff Works for 2 Pianos
EV7Pantcho Vladigueroff Complete set
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Edition Elm manager Ivaylo Hristov has compiled a wonderful collection of original brass works and transcriptions in his Edition Elm catalog. He has chosen many works that are not otherwise available, so he does the brass community a great service. His attention to Bulgarian music is especially gratifying, in that he is introducing some very interesting new works. His transcriptions are well-chosen and well-done, although sometimes quite challenging.
For half a century, the contemporary culture of Eastern Europe was closed to us in the West. Towering beacons shone through the gloom, but our knowledge was largely restricted to those masters who either transcended the Iron Curtain, or who left to teach and compose in the West. Since 1990, a whole new world has opened up, revealing the wealth of creativity which thrived beyond our hearing each nation swallowed by the Soviet whale struggling to maintain its own cultural identity in every art form.
Bulgaria is a small nation with an ancient and proud culture stretching back to the time of Alexander the Great. From 1945 Bulgarian musical life fostered a distinctive school of trombone playing, with a rich teaching tradition, producing a substantial body of superb recital and study material. Today the country is home to a community of talented and prolific composers and Edition Elm has committed itself to both documenting the past, and encouraging the contemporary. Every piece in Elms collection has been chosen and edited by professionals, and is presented in performing materials of the highest quality and clarity, complete with biographies of all composers. These works are an invaluable addition to both personal and institutional libraries, and I have no hesitation in recommending them to performers and teachers internationally.
Professor for the interpretation of contemporary music
Guildhall School of Music and Drama, London
Professor of Sackbut
The Royal Conservatoire of Scotland, Glasgow
I ardently acclaim the appearance of Edition Elm and the idea to publish the works of Pantcho Vladigueroff. This rectifies a serious deficiency in Bulgarian musical culture and represents a significant contribution to the consolidation of national conscience and self-confidence.
Leading modern Bulgarian pianists are involved as editors and exponents in the preparation of this publication. These are people who were close friends with the composer and through their personal contacts with him had an opportunity to acquire knowledge and understanding straight from the horses mouth.
The print is state-of-the-art technology and easy to read.
I wish the publisher success with his noble mission.